Posts Tagged ‘Abe Aran’
http://cantat.amu.edu.pl/?best-essay-writer-websites The second Shounen Club (ザ少年倶楽部) for August began with the three elder members of Sexy Zone singing “Sexy Summer ni Yuki ga Furu”. If you’ve been reading my blog for a while, you already know how I feel about this song. If you haven’t: I hate it. I still consider it a mess of randomly assembled musical phrases and sound effects rather than a proper composition. The dance is weak, too (lots of arm-waving, very little leg work).
http://newstylus.com/?p=cheap-custom-paper-term Thankfully, they didn’t spend much time singing it, as A.B.C-Z quickly took the stage for a verse or two of “Walking on Clouds” Not the best A.B.C-Z song by a long shot, but certainly an improvement on “Sexy Summer” – especially thanks to Hashimoto-kun’s singing.
http://www.alconi.ro/?write-college-essays-for-me They’re still missing Totsuka Shota-kun, by the way.
http://karunder.com/?p=non-profit-organisation-business-plan The pattern for this opening is obvious – each of the debuted groups get to do a teensy bit of a song – so I wasn’t surprised to see Johnny’s West take the stage next for “Banzai Yume Mansai!”
get It’s not my kind of song and for some reason always reminds me of an AKB song, but they had the most sophisticated choreography of the three groups.
http://www.pretiradiatori.it/university-of-alberta-phd-thesis/ I don’t like opening medleys in general, but at least this one eventually got the audience pumped up.
get Hosts Kawai Fumito-kun and Kiriyama Akito-kun talked to the members of Johnny’s West, and Daiki Shigeoka-kun got to introduce the theme of the show: Summer. Let’s see how many summer songs they actually do (I’m not going to count “Sexy Summer” since it can’t decide what season it’s in, has Christmas themes throughout it, and they wore Santa costumes when initially promoting it).
follow Time to start the Summer 2014 drama season!
follow site It was an interesting coincidence that I started this blog in the season where NTV began a long string of late-night dramas featuring Johnny’s juniors with Shiritsu Bakaleya Koukou. Since then, I’ve made a point of covering that time slot through strong dramas and weak ones. This season, the new drama in that slot is Kinkyori Renai (近キョリ恋愛), which is a romance drama, and that’s the one kind of story I have the most trouble with. That’s for a number of reasons, including the culture gap between my concept of love and that often found in dramas based on manga (as this one is).
http://www.feellights.com/fit-essay/ fit essay That fair warning aside, there are some reasons I’m looking forward to this drama. Abe Aran-kun proved to be an engaging personality in the otherwise dismal SHARK Season 2, and I would like to see if he is as good an actor as I (and whoever decided to give him his first leading role) think he is. I expect Kishi Yuta-kun, Takahashi Fuu-kun, and Tajima Shogo-kun to bring a lot of energy and humor – something that was sorely lacking Sprout, the only other pure romance in this time slot. This will be Tajima-kun’s first foray in a drama, so we can make an initial assessment.
vintage carters typewriter ribbon and carbon paper The drama begins, however, with a much more famous member of the Johnny’s agency – Yamashita Tomohisa-kun. He plays Sakurai Haruka at the age of twenty-seven while Abe Aran-kun plays the same character at seventeen.
i need help with algebra We see Haruka as an adult – and an English teacher at that – first.
http://www.surgeskateboard.com/ordinary-people-essay/ He seems to have the complete attention of one half of the student body of the school he works at, which should be a bit uncomfortable . . .
. . . but then when one of this students asks him – in English – if he’s seeing anyone special, his answer seems to be one of those doki-doki responses. In other words, it appears like he cultivates the attention of girls. Already I feel my stomach churning.
Shounen Club (ザ少年倶楽部) is a music variety show hosted by Kawai Fumito of A.B.C-Z and Kiriyama Akito of Johnny’s West that showcases the song-and-dance skills of the Johnny’s Entertainment agency’s most recently debuted groups – A.B.C-Z, Sexy Zone, and Johnny’s West – as well as the agency’s trainees (known as juniors).
The main fascination with the show, at least for me, is to try to figure out which of the juniors will emerge as the next generation of stars. This episode opens with some prime candidates handling the intro, as Jinguji Yuta, Iwahashi Genki, Abe Aran, and Kishi Yuta led a cadre of other juniors in SMAP’s “Bang! Bang! Vacance”.
They made way for the elder juniors, who continued the song. While the four listed above seem to be in a stable grouping (except that they’re missing Miyachika Kaito), the elder juniors have no such luck, and every time I turn around, they’re in a totally different arrangement.
For the final phase of the song, Sato Shori, Nakajima Kento, and Kikuchi Fuma of Sexy Zone as well as the entirety of Johnny’s WEST and A.B.C-Z (except Totsuka Shota) joined the rest on a very crowded stage. Fair enough, though, since I typically like this type of all-in one-song opening for Shounen Club. It feels right to have the whole cast out front to kick things off.
Note: this was a double episode, and is alternately referred to as Ep 11 as well as Ep 11 and 12.
So this is it – the last hour of SHARK Season 2. Right at the end of the previous episode and going into the beginning of this one, we get the ridiculous setup for the climactic battle between BtS and Cloud5 – that the two bands will face-off in front of fans again, and if Cloud5 loses, they’ll have to disband.
Now, even the most gullible viewer would have to scratch their heads at this. How can a record company force a band to disband? Even if the band is under contract, nothing in that contract could ever allow the company to compel the members to disassociate. At the most extreme (and I can’t think of a case of this) the group might have to change its name, but it’s relatively common for bands to switch labels. There are some peculiar situations – like Johnny’s – where everything is vertically integrated, but that’s not how it works when a label signs an independent rock group. The group retains certain rights – like the right to exist and to freely assemble.
Apparently, Matsuyuki wants to produce just one new group, and the company is willing to lose the potential profits from Cloud5 on his whim. First of all, what a lazy bum, not to mention a liar. But in any case the situation then should be that Cloud5 simply gets dropped from the company roster and becomes an independent band. I wonder if any other record company might want to take a chance on a popular young group that was just dumped by a label because their producer was an asshole?
And at what point do the members of Cloud5 all walk into Matsuyuki’s office and tell him to shove it? If, after having been manipulated as they have been, they are just going to be thrilled to be under Matsuyuki’s umbrella again, what sympathy do they deserve?
There is one unmistakable fact in SHARK Season 2 – Matsuyuki (Toyohara Kosuke) absolutely hates Cloud5 and takes extreme delight in bringing them down. Sure, he claims that the struggle will be for their good, but I wouldn’t trust a doctor who grins so malevolently when giving me an injection, nor a surgeon who talked excitedly about the need for surgery.
Of course, Matsuyuki isn’t the only frustrating character in this series. Kota (Yasui Kentaro) and Makoto (Kaede) are another two. Get ready for a lot more sneering and snide remarks from Kota and nonsensical remarks from Makoto.
Can you believe that Makoto actually tried to get Kota to come back by tapping into his concern about the pet fish, even though she knows that the original fish died because of her lack of care and the current one is a sneaky replacement? Got to hand it to her, she’s got some nerve.
Despite giving us the impression that Saku (Shigeoka Daiki) had rallied the band together at the end of the previous episode, Aruto (Abe Aran) is still non-cooperative and afraid to perform because he feels he can’t compete with Asahi (Iwahashi Genki). Why the other members don’t immediately sense this, I have no idea.
Things are really not going well for anybody in SHARK Season 2. True, Behind the Scenes managed to win the battle of the bands (with an unquestionably superior performance), but I doubt Kota (Yasui Kentaro) is at all satisfied with this victory over his former band, and Asahi (Iwahashi Genki) looks as morose as ever. Incidentally, BtS as a group looks surly and dismissive at everyone – they sure don’t give the impression that they enjoy doing what they do.
The situation is worse for Cloud5, though, as they now have doubts about their own ability to compete and whether they’ve made the right choices. Masayuki (Toyohara Kosuke) mercilessly stokes their insecurities, which makes me wonder what the heck Cloud5 ever did to him – he sure seems bent on some kind of revenge at this point. I don’t buy the ‘drama’ excuse for a second.
And just to make sure everyone feels sufficiently miserable, we finally discover who Asahi is – he’s the little brother of Kazuki (Fujii Ryusei), the former leader of SHARK, and he calls Kai (Hamada Takahiro) a traitor. Which Kai totally is, by the way.
I’m just going to plunge ahead in SHARK Season 2 because it’s about time I caught up on something from the Spring season, and the new Saturday drama started today.
Last time, Kai (Hamada Takahiro) decided to disband SHARK so he could become Cloud5’s guitarist. Let’s not mince words about it – he’s been thinking about it since episode one and acting like he was destined to do it.
But Ichika (Yamashita Rio) must have some seriously complicated feelings about this.